"Image Comics is a comics and graphic novels publisher formed in 1992 by a collective of best-selling artists. Since that time, Image has gone on to become one of the largest comics publishers in the United States. There are currently four partners in Image Comics (Erik Larsen, Todd McFarlane, Marc Silvestri and Jim Valentino), and Image is currently divided into four major houses (Todd McFarlane Productions, Top Cow Productions, Shadowline and Image Central). Image comics and graphic novels cover nearly every genre, sub-genre and style imaginable, offering science-fiction, romance, horror, crime fiction, historical fiction, humor and more by the finest artists and writers working in the medium today"--T.p. recto.
Since at least 1939, when daily-strip caveman Alley Oop time-traveled to the Trojan War, comics have been drawing (on) material from Greek and Roman myth, literature and history. At times the connection is cosmetic-as perhaps with Wonder Woman's Amazonian heritage-and at times it is almost irrelevant-as with Hercules' starfaring adventures in the 1982 Marvel miniseries. But all of these make implicit or explicit claims about the place of classics in modern literary culture. Classics and Comics is the first book to explore the engagement of classics with the epitome of modern popular literature, the comic book. This volume collects sixteen articles, all specially commissioned for this volume, that look at how classical content is deployed in comics and reconfigured for a modern audience. It opens with a detailed historical introduction surveying the role of classical material in comics since the 1930s. Subsequent chapters cover a broad range of topics, including the incorporation of modern theories of myth into the creation and interpretation of comic books, the appropriation of characters from classical literature and myth, and the reconfiguration of motif into a modern literary medium. Among the well-known comics considered in the collection are Frank Miller's 300 and Sin City, DC Comics' Wonder Woman, Jack Kirby's The Eternals, Neil Gaiman's Sandman, and examples of Japanese manga. The volume also includes an original 12-page "comics-essay," drawn and written by Eisner Award-winning Eric Shanower, creator of the graphic novel series Age of Bronze.
As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comic books starring John Wayne, Gene Autry, Bob Hope, Abbott & Costello, Alan Ladd, and Dean Martin and Jerry Lewis. With a special focus on the Classical Hollywood era, Blair Davis investigates the factors that spurred this media convergence, as the film and comics industries joined forces to expand the reach of their various brands. While analyzing this production history, he also tracks the artistic coevolution of films and comics, considering the many formal elements that each medium adopted and adapted from the other. As it explores our abiding desire to experience the same characters and stories in multiple forms, Movie Comics gives readers a new appreciation for the unique qualities of the illustrated page and the cinematic moving image.
From Christian singer to pop superstar, she's been through it all, seemingly. She's been on the cover of every magazine and newspaper in circulation, she's been featured in countless news articles, she's been married and divorced, and she's performed in front of millions. She's Katy Perry, and this comic will teach you everything there is to know about the California girl.
Swifter. Higher. Stronger. Funnier! Another four summers have passed and with it come the age-old Games known for its athletic achievements, dedication, perseverance, andurinating into little cups. As the comically-charged competition hurdles forward, teams from Greece, England, France, and Italy showcase their top athletes in such standard events as Love Letter Relay, Infidelity Aquatics, Shooting Love Riddles, Cross Dressage, and the crowd favourite Clown Decathlon, all culminating in the always physically demanding Marital Marathon. Add to the mix such demonstration sports as Bear Baiting and Rodeo Shrew Taming and the Slapstick Shenanigans erupt with more hilarity than you can shake a Shtick at! Upstart Crow Sports Network (UCSN) proudly brings you Shakespeares Comic Olympics, a clever hybrid of improvised sporting play and spectacle theatre transforming Shakespeares Comedies and Romances into Olympic events. Ben Jonson and Jack Falstaff provide all the play-by-play colour commentary with interviews and updates from that on-the-track historian/reporter Raphael Holinshed, as Olympic athletes overcome incredible obstacles and comic feats of timing in their quest for that coveted Ring Finger Gold!
Immortal Comedy is the first book to 'think' philosophically about the comic phenomenon in general. Although author Agnes Heller had written a book that is both deeply scholarly and meditative on the subject of the comic form in film, literature, and life her writing is eminently approachable. In both its subject and style, Immortal Comedy is a seminal book. In it, Heller takes us on a journey through theories of comedy beginning with classical thought. She then detours through foundational political thinkers who refer to, for instance, laughter and power. We are also introduced to modern systematic approaches to thinking comedy, psychological approaches, and existential approaches. The discerning combination of Heller's individual taste for the pantheon of comedic work and, also, what critics may consider 'less significant' work gives this book a character apart from all others. It is the detail with which Heller makes her discussion, how and where she locates 'the comic,' and probably most significantly her discussion of comedy and our own lives that makes Immortal Comedy a principal book for the entire range of humanities scholars and enthusiasts.